The General Theory of Social Relativity addresses the fundamental question of how we are to understand the forces at work in the social world, and presents a radically innovative framework for thinking about social processes.

She is currently working on a database memoire, ALL the books I never wrote or wrote and never published.

In addition, she produced almost three dozen editioned books under the imprint Druckwerks, including The History of the/my Wor(l)d (1990), The Word Made Flesh (1989), Narratology (1994), Testament of Women (2006), and Stochastic Poetics (2012) which are held collections throughout North American and Europe and were the subject of a retrospective, Druckworks: 40 years of books and projects, that began at Columbia College in Chicago in 2012. Downdrift: An Ecological Fiction is forthcoming from Three Rooms Press (2018). Ten of her books of creative prose have been published, including: Italy (The Figures, 1980) Three Early Ficitions (Potes and Poets, 1994) Dark Decade (Detour Press, 1995) Diagrammatic Writing (Onomatopée, 2014) Fabulas Feminae with artist Susan Bee (Litmus Press, 2015). She’s the author of more than a dozen works of critical scholarship, including: Graphesis: Visual Forms of Knowledge Production (Harvard University Press, 2014) What Is? (Cuneiform Press, 2013) Digital Humanities, co-authored with Anne Burdick, Peter Lunenfeld, Todd Presner, and Jeffrey Schnapp (MIT Press, 2012) Graphic Design History: A Critical Guide, with Emily McVarish (Pearson/Prentice Hall, 2008) The Visible Word: Modern Art and Experimental Typography 1909-1923 (University of Chicago Press, 1996) Theorizing Modernism (Columbia University Press, 1996) The Alphabetic Labyrinth (Thames and Hudson, 1995) and The Century of Artists’ Books (Granary, 1995). She has lectured and published widely on topics related to the history of the book, digital aesthetics, graphic design, visual epistemology, and contemporary art. Johanna Drucker is a writer, scholar, artist, and the Breslauer Professor of Bibliographical Studies at UCLA.

Johanna drucker the visible word